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Chandler and The Bings LIVE!

Chandler and The Bings LIVE!

Can’t make it to a show because of geography or other reasons? Here’s the live audio from our show on July 20th at Craftsman in Austin.

Set 1:

Set 2:

Set 3:

Featuring my bass playing and backing vocals all night, and my lead vocals on All Star, Hey Jealousy, When I Come Around, Creep (kinda), and Friends In Low Places (and part of It’s Gonna Be Me).

I love playing with this band!
TMS

You Can’t Always Get What You Want…

You Can’t Always Get What You Want…

I have a serious issue now. I desperately want a $2100 bass. You see, Ernie Ball/Music Man came out with their new Stingray Special series, with roasted maple necks that have stainless steel frets and updated bodies that are lighter, and updated electronics that are punchier and quieter. Of course, it’s not happening. I don’t have that kind of cash.

Cut to a few weeks ago, where I was doing my normal Craigslist perusal, and I came across a guy up in Cedar Park selling my $2100 bass for a mere $1295! I literally did not have the funds to scrape together to get this incredibly-cheap offering of EXACTLY THE BASS I WANT – Black. Maple fingerboard. One pickup. Just like the Sterling Sub series that I’m playing now as my #1 bass, but lighter and more pro in every single way.

So I’ve been anguished about it for a couple of weeks now. And the ad has finally timed out on Craiglist, so no more drooling over that which I can not possess. I did send the guy an email basically begging him to keep in touch if he still happened to have the bass next month (since I plan on scraping together money and selling things). I’ve heard nothing back. I’m sad.

So what does this tell me? Well, I snoozed and most likely lost. And I simply cannot justify spending almost $1300 on a bass, even if it is the $2100 bass I so desperately wish to own.

But if on the odd chance I do hear back from Allen from Cedar Park…well, I guess we’ll see how my willpower handles it.

I don’t NEED this bass…but damn if it wouldn’t be a hoot to have it!

In other news: Things with The Bings are going as wonderfully as before, better, actually, because my voice has been solid. We’ve been killing our Thursday shows at Stereotype, with people showing up basically just to see us and then clearing out once we’re done (except on the Saturday gig – they hung out – we wish they’d hang out on the Thursdays, too, but it’s nice that they’re there for us specifically). Not sure what the future holds with that. 2019 might be something different there. We’ll have to see. I do look forward to seeing some of my “buddy bands” there, though (like HighRoad, Zoodust, and especially Hit & Run). They’re all being booked when we can’t make the shows.

I’ve been cleaning things up in my studio and getting things all wired up for proper use in preparation for work beginning in earnest on some recordings. I know if you look at the 10 years or so I’ve been writing this blog that that seems like more of the same promised bullshit, but this time I really have all the pieces together and am feeling some creativity, so it might not be any of the songs I’ve already written – it might be writing new ones from all the progressions, melodies, and riffs I’ve been recording on my iPhone for the past six or seven years. I’ve got good software and plugins and I’m raring to go. Now it’s just finding the moments of quiet necessary for getting things down. I think I can manage it. 🙂

I’m probably heading out to a jam night tomorrow to see some friends and maybe rock out a few tunes I haven’t played in a while. I might even see if they’ll let me play drums on something. I haven’t done that in front of an audience since a Slaphappy gig in Georgia about 15 years ago.

On the “gear I actually own” front, the HX Stomp has been PERFECTION for my gigs with The Bings. And I got a new set of quad-driver in-ears for cheap on Amazon that have been perfection as well. It’s crazy – I haven’t even been running a speaker or amp. Just BIG FAT TONE from a teeny tiny pedal.

Thanks for reading my update, and have a wonderful Christmas and New Year – if that’s your thing.

Peace, love, and good happiness stuff…

TMS

Thoughts on “Artistry”

Thoughts on “Artistry”

(note – Just some thoughts. I wrote this piece back in March, but am finally publishing it now. Not sure why I never hit publish.)

As someone who has spent the majority of his musical life as background music for people getting drunk, it’s hard for me to relate to what it must be like to actually create music as art. Sure, I’ve written my fair share of songs, and I have pretty strong opinions on what I like and don’t like about things I and others have created, but I’ve never seen myself as an artist, or my work as artistry.

I wonder sometimes if that’s just me avoiding actually putting myself out there for judgment or if it’s putting art on a pedestal, or a mix of both. I definitely am proud of some of the stuff I’ve created, and I’m definitely proud of some of the ways I’ve put my stamp on other people’s work through my experience in cover bands of various types.

I’m inherently not a precious person when it comes to creating musical things, which is to my detriment, I think. I do believe I’d have something to offer as an artist. I just carry this inbuilt suspicion and animosity toward the very act of being precious, with the notable exception that I’m all in if it’s an artist I love – they can be as precious as they feel they need to be and I’m still eating it up. But I wonder if it really does come down to fear that nothing I could ever do would measure up to the things that I like.

Stepping away from music for a bit – when I was first creating audio productions, long before I worked in radio production, I was very particular about things being “just so”. I really crafted the things I created with a lot of care. When I started making commercials, I would do the same, and take tons of time just trying to get them perfect. Once I worked in radio production full time, I learned that I simply did not have enough time to spend hours on one 30-second commercial. I really had to speed it up to get things done. Then I became a production director all by myself, and had no time to be precious about it – I just had to get things done.

One might think I’d be able to carry over that “get it done” attitude to music, but the lack of hard deadlines in music has kept me from really feeling like I’ve ever accomplished anything. People flog the “art is never finished, only abandoned” cliche, but it is a real trap if you think you can keep working on something forever. That’s what I’ve been doing with a lot of my own music. Nothing feels good enough for me, and almost every time I’ve shared something, it’s mostly met with indifference, which reinforces the idea that I’m simply not doing anything interesting. Which is largely true, if I’m being brutally honest with myself. I have my retread pop punk-style songs, and my retread power pop songs and my retread sort of singer-songwritery songs. Nothing is all that “me”.

I grapple with the whole “me” thing as a writer. It reminds me of a time in high school. I was doing my normal thing of talking in every voice but my own (doing accents and characters and basically being a teenage Dana Carvey wannabe) and my best friend Brandon had grown tired of my antics, grabbed me, and said, “What do YOU sound like?” It’s funny how much that resonated. It went far beyond just doing a surfer dude voice followed by a fey German accent. It sticks in my head to this day, but it’s morphed into something even bigger. Perhaps even something menacing for me as a creator. What do I sound like? Honestly, I’ve been avoiding that for years, mostly because every time I create something, I really hate what I sound like when I’m not basically doing a style impression of some other artist I admire. Who am I kidding? I hate that, too, because it’s not original!

Which brings me to the whole point of this spiel: Artistry. How does one define it? I struggle with it all the time, because I feel like 25 years playing in cover bands has basically robbed me of any artistry of my own. I am a pretty complete musician, because I’ve played many different genres of music and can slide into most musical situations quite comfortably, but I never feel like an artist or feel like anything I do is truly artistic. I’ve gotten close to it from time to time, especially during improvisational performances at jam nights, and coming up with parts to complement the crazy ways we redo things in Chandler and The Bings, but with the music I’ve composed, I don’t know that I’ve ever gotten there, to a place where I’d consider it art. I’ve definitely tried.

Thanks for reading!
TMS

The Dangerfields are officially a gigging band!

The Dangerfields are officially a gigging band!

So my new trio, The Dangerfields (www.facebook.com/TheDangerfieldsATX) played their first two gigs these past two Thursdays. And rough as they were at times, they were fun. According to most of the people who have talked to us, we’re a lot of fun. And that’s great. Of course, it makes me think of my “wow, you guys are having fun up there” saying I use when a band sort of sounds like shit but are having a good time. Our show at the Oasis was hot and the load-in was tough, but it was great to get in front of a crowd for the first time. The show at Hanovers was even more fun, because people were more engaged than the Oasis show. So I’m pretty psyched that this is happening. Thanks to Lee and Shawn for rocking out with me.

Audio from the Hanovers show:

Set 1: 

Set 2: 

Set 3: 

I’ve still got my regular plate of solo shows over at Scoreboard (8/26 and 9/9) and up at Quinns (9/29), and I’ll be playing a benefit solo at the Rusty Rudder up on Lake Travis on 8/28. It’s a great cause – we’re raising money for the victims of the Louisiana Floods. Here’s all the info.

That’s my quick update. THE DANGERFIELDS ARE REAL!

See you around town! #leadwithlove

TMS