Museday Mumblings (Vol. 55): HOLY SHIT WAS THAT FUN!

Museday Mumblings (Vol. 55): HOLY SHIT WAS THAT FUN!

I gently apologize for the profanity in the title, but nothing short of that sort of raw emotive speech would properly express how great Chandler and The Bings show at Speakeasy was last Friday. Of course, it didn’t start off that way for me. I was a damn mess.

So I came up with this great plan on placing cameras to get good video of the show, which we anticipated would be pretty well-attended since it was our first show in Austin since February of 2020. Well, nothing I was trying was working right. We were down a camera because of circumstances (trying to gig on a Friday when you have a day job is less than fun and everything is rushed), and my GoPro was being weird (mostly operator error, unfortunately). I didn’t have enough time to get it all together and finally decided to just quit because I knew if I spent another minute trying to make it all come together I would have a terrible show. I was on the brink of tears and rage because I felt like I’d completely failed my bandmates and squandered an opportunity to capture something really special. The latter of which turned out to be true, unfortunately. It was really special.

WE KILLED IT. Filled the place. Kept most of the crowd for most of the night. I mean, the place was 2/3 full even during our last set. It blew our minds. Of course, listening to the recordings I made (didn’t fail in the audio department, at least…), there was some glaringly bad playing and singing, but it wasn’t most of the time, and most could be attributed to nerves or rust (which is pretty inevitable considering how little time we’ve had for rehearsal). Despite the occasional suckage, we brought the rock. And people sang along ALL NIGHT. It was your standard pre-pandemic CATB show. And it filled all of our hearts in ways we never expected. Seeing all the familiar faces was amazing. I had multiple friends show up who I hadn’t seen in years even before the pandemic (one who was in town from UTAH, even!) The only thing bad about it was that I didn’t get to spend enough time with them because I was on stage. But they all had a great time, from what I understand, and some who hadn’t seen me play before couldn’t believe how good I was, which was really nice to hear. I think. 🙂

We had professional shots done by The Vinyl Lens (super nice guy – hire him). Even though I was sweaty and looked fairly horrible because I’ve gained some poundage in the past year, and there’s even a picture that makes me look like I’m balding (I’m pretty sure I’m not), I’m still psyched that we had them done because we have some great shots in there.

Just wish I had some video…BUT ANYYYWAY…

It was a wonderful night, and I’m so glad I got to share it with my brothers in the band and all our wonderful friends and fans that came out. That’s all for now. Have a great rest of your week!

TMS

Museday Mumblings (Vol. 54): Learning Songs, Part 2

Museday Mumblings (Vol. 54): Learning Songs, Part 2

I am sorry I didn’t have a blog last week – it was super busy but really good in the offline life. My mom came to visit because my older son was graduating from high school. It was a lovely time, but didn’t leave any time or energy for blogging. So I’m going to publish an extra Mumbling this week after this one.

So I decided to continue with the whole learning songs thing here.

Things are about at the same place on the song I mentioned in the last post, which is okay, all things considered. Like I made clear earlier, there really hasn’t been time to make much progress, but every time I try to play it, I remember most of what I need to know. We have rehearsal tomorrow night, so it’ll be the maiden voyage of this attempted one-off cover. We shall see what happens. Hoping for the best…

We’re also picking up a bunch of older songs we played to add a little diversity to the setlist, which will probably be more necessary when we have more time to be busy. It’s fun going back and playing along and seeing what I retained from the last time I played songs. Thankfully, it’s usually a lot. Sometimes, I’ll go back to refresh something and realize I learned it all wrong. Then I get a little mad at my past self for a moment, and proceed to fix the issues.

Since I wanted this one to kind of expand on the last one, I’ll take you through my process of learning songs.

First I determine my level of familiarity with the song, and lock down what precise version we will be learning from – there are often different versions of popular songs (single edits, etc.) and I want to make sure we’re all learning the same arrangement. Saves time later. I try to listen to the song like I’ve never heard it before (sometimes I’ve honestly never heard it – or at least don’t remember it). Then I focus on the parts I need to learn and try to isolate as I listen, to determine what sort of EQ adjustments I can make to make the part pop out of the arrangement so I can learn it easier. If I can find the stems of the song, even better, because then I can just listen to the instrument isolated. But that’s not always available.

Second, I listen to the song. A LOT. Over and over. Over and over. ESPECIALLY if I have to sing something in it.

Third, I nail down the parts. Sometimes if I’m strapped for time I’ll refer to a transcription, but I mostly like to learn it myself because I trust my ear to pick up the nuances better than most mainstream transcriptions I’ve seen. I try different voicings and fingerings to find the best way for the parts to live under my fingers and still honor the tune and cover properly.

Fourth, I play the learned parts along with the song. A LOT. Over and over. Over and over. AND when I have to sing, I do that while I’m playing the part on whichever instrument so I can work out any “pat head, rub belly” conflicts.

Fifth, I rehearse the song with the band and make any necessary adjustments to my arrangement so I’m truly filling my role in the ensemble.

Sixth, I play the song in front of an audience and determine how that affects singing and playing it. Then I make THOSE necessary adjustments.

After a few gigs with the song, it’s unlikely that I’ll ever forget it. The majority of songs learned by using this longer process stick in my brain and I can play them wherever, whenever. It’s pretty nice.

If you are a musician who reads this, I’d love for you to share your learning process in the comments. Maybe you do something cool that would help even more!

Well, that’s it. If you can get a shot, get one. If you can help someone get a shot, help them.

See you in a few days with another new one.

Thank you for reading, and peace be the journey.
TMS

Museday Mumblings (Vol. 53): Learning Songs

Museday Mumblings (Vol. 53): Learning Songs

So the Bings have been asked to learn a particular song for an upcoming wedding – actually, a bunch of songs. And one in particular is a song that I have absolutely no history with – no memory of ever hearing it, no strong sense of its form, no love for the genre (which is how I missed it), and honestly, now that I’m learning it, I kind of think it’s garbage.

BUT – one thing I’ve always been excellent at as a performer is finding a way to love things I kind of hate. To me, that’s part of your job as a musician who gets paid for music – pretend to love what you’re doing even when you kind of don’t – after all, you have to do what OTHER people want you to do sometimes, and that’s totally okay.

I’m not going to say which song it is, because I don’t really want to get into it about it or its genre, but a quick perusal of my past Museday Mumblings might clue you in to the genre, especially if you start from the beginning.

In a matter of days, I’ve managed to go from hating the song so much that I didn’t truly believe I could ever learn it to having it completely down musically and almost down for the vocal parts that aren’t lead vocals (jury is still out on how much I’ll be singing, but I’m learning it all). The beauty part of having learned songs for cover bands on bass for about 30 years is that I’ve gotten rather good at getting the parts pretty much immediately. So locking down the musical changes was actually pretty easy once I figured out the sections and then their arrangement. There are a few parts where I don’t have the bass part down well enough to sing the vocals I anticipate having to sing, so I’ve been working on that, but the whole process of “finding the fun” has reminded me how much I really love learning things and knowing how much my efforts will make someone happy (in this case, the bride).

And, shocker, I’m actually starting to kind of like the song after learning it. Not because it’s good – it’s still chaotic nonsense at times – but because I can tell how much heart these guys put into creating it, and I want to honor their efforts and really kick ass on it.

That’s the trick – finding a way in to the creative process to own the song for yourself. Even when it seems there’s no way in, you have to try and find a way to relate, whether musically, lyrically, or just “general vibe”-y. Like many of the songs I’ve performed as though they were my own but I sort of hated over the years, I think when I play it, no one’s going to have a clue how I really feel about the song, and that, to me, is a great accomplishment as a musician and performer – finding a way to love something you kind of hate, and honoring it for what it is and how much your audience loves it.

It’s a lesson to remember for every working, paid musician who can’t seem to get past their taste where it concerns material to perform for their audiences. Remember – it’s not about YOU*.

*-(I mean, until it is, and it’s your own music or your own specific artistic statement, but this isn’t one of those situations – we’re playing a damn wedding…)

Take care, have a wonderful weekend to kick off the summer, honor those who gave everything for this country on Monday (and NOT ALL VETERANS – that holiday is in November), and get your damn shot.

Peace be the journey!
TMS

Museday Mumblings (Vol. 52): ONE YEAR!

Museday Mumblings (Vol. 52): ONE YEAR!

Wow. So it’s been a YEAR of these weekly missives. A year of writing on topics that I tried very hard to make interesting for you. At the very least you got a window into my brain. It was very hard not repeating myself, and I tried very hard to acknowledge when I was repeating myself. Repeating myself is kind of annoying, because I’m always repeating myself.

Dumb jokes aside, I’m proud that save for one week I took off on purpose, I wrote a whole year of weekly blogs.

This week’s is late, but it’s been a week. I had a great topic but then completely ended up having no energy when I had time and no time when I had energy. Perhaps it’ll pop up next week. And perhaps after a year I might make these blogs a hybrid – a little video to go along with the writing. We shall see.

Thanks for sticking with me. There’s much more to come, and I’ll be adding more multimedia content and livestreaming more. It seems stupid that I have this super-nice video switcher and I’m not doing jack squat with it.

I might invite some of my music friends to join me for some kind of zoom interview thing where we chat about various topics. Not sure…there’s the whole no time when energy-no energy when time thing to deal with first.

Take care and have a pleasant tomorrow – and if you haven’t been vaccinated yet – GET YOUR DAMN SHOT. The evidence is super clear at this point of the safety and efficacy of the vaccines. Because there are a lot of gullible dummies in our society who believe the grifters and charlatans, vaccines might be our only way out of this crap.

Peace be the journey!
TMS

Museday Mumblings (Vol. 51): Back On Stage

Museday Mumblings (Vol. 51): Back On Stage

So Saturday night marked the band’s first “official” show back. We played at our favorite bar in San Antonio (Picks Bar), and it was a pretty good show all things considered. I did a multitrack recording of the show with my laptop. And there are things about it I absolutely love – Jay and I are LOCKED most of the show, which is pretty surprising considering how little we’ve actually played together this past year. My vocals are spotty, as always, with my lead vocals almost always being 100% better than my backing vocals. I can’t fully figure out why I keep mucking them up – I did notice that when I really went for it on the backing vocals, I was more consistent, so there’s definitely a lesson there. I know that part of my vocal issues were caused by the nagging cold I’ve been fighting for weeks, so it was almost impossible to rely on muscle memory. Hopefully this Saturday’s show will go better in that department. But enough of the Monday Morning Quarterbacking…let’s get weird.

Like, it’s super weird to be out again. It’s super weird to return to a place we played TONS of times and it’s completely different (they started a remodel literally the day after our last gig there in 2020). It’s super weird to be around other vaccinated people and to feel “normal” enough to shake hands or give a hug. It’s good, but WEIRD. I’m looking forward to giving my mom a hug when she comes to visit in June. That won’t be weird – it’ll be lovely.

Back to the experience of getting back out there – another part that you forget when you haven’t played in a while is the physicality of the entire show experience – loading the gear into the van, loading the gear into the venue, getting everything set up, then the performance – every limb involved, singing, then once the show is done, unloading the stuff from the venue into the van and then driving home and unloading there. It’s all so incredibly draining. And that’s before you consider the mental toll of trying to remember everything so you can actually give a decent performance. I think all four of us were sort of wrecked for a few days recovering.

I’m happy we played, the crowd was nice (though different than before the pandemic), and we had a lot of fun. Tons of smiles on stage – fans even mentioned how much we were smiling. Little did they know half of those smiles were us laughing at mistakes.

Doing it again in San Antonio this weekend at The Amp Room. It should be weird and exciting – new venue, unfamiliar audience that’s younger and perhaps more rock-friendly…I’m pumped. But also thinking about how tired I’m going to be.

But I’m so grateful that we get to do it again. Seeing those smiling faces and watching them sing along is the ultimate analgesic.

Thanks for reading and peace be the journey!
TMS

P.S. If you’re not vaccinated, what the hell are you waiting for? GO GET THAT JAB, YO!

Museday Mumblings (Vol. 50): Adam Schlesinger tribute livestream

Museday Mumblings (Vol. 50): Adam Schlesinger tribute livestream

It was pretty good. Lots of artists doing their own versions of Adam’s songs from his various projects. Multiple versions of a few. It just reminded me how much his music meant to me – how EXACTLY “Brian” he was. He loved being poppy. He loved wordplay. He wasn’t afraid of technology. He was a traditionalist in some ways, but his creativity always made his deep knowledge of “the rules” come out in his songs and collaborations in a way that made them fresh.

Great performances from TONS of amazing artists. My favorites: Butch Walker doing an unreleased FOW track. Britta Phillips and Matthew Caws (separately) doing Ivy songs that almost made them better than the originals. Everyone’s great stories about Adam. Mike Viola and his superband of Jake Sinclair (bass/vox), Brendon Urie (drums/vox), and Rachel White (guitar) were FANTASTIC on “That Thing You Do!” Because, you know, Mike was the one who sang that song…so it was rather authentic and awesome. 2/3 of “The Bens” were present (uh, what the fuck, Ben Folds?) Ben Lee’s “Hackensack” was beautiful and he seemed genuinely sad at the end – like he missed his friend. Courtney Love sort of sucked, but she was talking about how much she LOVED power pop and said something I’ll probably carry with me forever: “Power Pop is three Pauls and a Ringo. Occasionally you bring in a John or a George, but it’s almost always three Pauls and a Ringo.” Yes, Courtney. That is correct. Thank you for that. I will forgive you for sort of butchering “Hey Julie” (it was clear you loved it, though, so I’m not mad at ya…). The Minus Five (in this iteration, Peter Buck, Scott McCaughey, Joe Adragna) doing the song Adam penned for Kathy Griffin’s talk show, “I’ll Say It” was DELIGHTFUL. The Still Out did a wonderfully noisy/creepy version of “Sick Day”.

And so much more cool stuff – Michelle Branch (with Patrick Carney of The Black Keys), Glenn Tillbrook from Squeeze, Chris Carrabba, Sean Lennon, Jesse Malin…I mean – if you like this sort of power-pop-indie-derived music, there was a LOT for you here. And I was very pleased to see Rachel Bloom doing the excellent “Settle For Me” that she wrote with Adam.

Poster:

If you’re interested you can still buy a ticket and watch on their site on VOD for another week.

Here’s the show page.

Thanks for indulging me. I really loved this guy. He was a true inspiration to me.

Heading back to Picks Bar on Saturday with the band – I’m SO EXCITED TO GET BACK THERE!!! If you’re around San Antonio Saturday night for whatever reason, come check it out – we start at 10pm.

Peace be the journey!
TMS

Monday Moanings (Vol. 1): I CAN’T HANDLE IT! Also: PURPLE!!!

Monday Moanings (Vol. 1): I CAN’T HANDLE IT! Also: PURPLE!!!

COME ON, ALREADY!

All I want is for people to do their jobs, for the systems to function as they are designed, and for everything else to get out of the fucking way. Is that too much to ask?

Yes, Brian. It’s way too much to ask. That’s not how things work at all. You’re like that lady in the insurance ad with all the pictures tacked to her wall and her friend comes over and tells her, “that’s not how this works…that’s not how any of this works…!”

That is me.

Of course, not really, because I’m fully cognitively aware of the fact that most things are beyond my control and thus not worth fussing over. But that doesn’t stop my dumb-dumb lizard brain from getting all mad about it.

This isn’t actually going to be a series, by the way. I just happened to be sitting at my computer and thought it might be fun to write something about how today went for me. I should be over the moon of course, since I managed to score a new guitar over the weekend that I like A LOT. TIME TO SHARE THE PURPLEY GOODNESS!

The Musical Schizo Holds a Line 6 Variax Standard Guitar
It’s PURPLE, people!
Looks super purple here because I used a bright light. It’s much more subtle.
Needs a wipe-down, but it’s purpley!
This was a limited edition from 2017 that I’ve been lusting after for years. A super nice dude named Randy sold it to me for a good deal.

So now I feel better sharing the purpley goodness with you and I can get back to normal. I have to change a poop diaper now. See y’all tomorrow or so when I do my regular musing.

TMS

Museday Mumblings (Vol. 49): Revisiting Things

Museday Mumblings (Vol. 49): Revisiting Things

Growing up is interesting. All people do it. Even individual aspects of our lives grow at different rates and in different ways. I know that my tastes in music evolved much faster when I was a teenager and through my twenties as I discovered new things and “old” things sort of fell to the side. Now, I’m not as fickle as many people who consume music, so I still did love the stuff that I was sort of letting go for a while for the shiny new things, but often I just never listened to it again. And there were plenty of things got heard and cast aside because they didn’t hook me.

I find it a nice experiment sometimes to go back and listen to things that were lost or hated for whatever reason and see if the current version of me, removed from whatever cultural prejudice (it was/wasn’t cool to like it) existed at the time.

I’ve actually gotten a lot of joy finding things I missed over the years, and it’s almost more fun to rediscover something that used to be on my radar when I was younger. There’s a lot of stuff I just didn’t “get” that I now understand. Even three of my favorite bands didn’t hook me when I first heard them. Rush, Led Zeppelin, and Muse – all three I kind of either hated or was sort of “meh” on until years after I first heard their music, and now all three are constant musical companions and teachers.

Going back and listening to the albums I wore out as a kid has been almost universally fun. The recent death of Producer/Writer/Rapper/Piano Man Gregory Jacobs (aka “Shock G” and “Humpty Hump”) reminded me how amazing his group Digital Underground’s album “Sex Packets” is – truly one of the greatest concept albums not by a prog- or art-rock band, and one of the best I’ve ever heard in Hip Hop. It ain’t just “The Humpty Dance” – although that’s definitely there for you to enjoy.

Another great example I hadn’t really heard since I was about 14 but now pops back into the regular rotation is INXS’ album “Kick”. It doesn’t have a bad song on it. De La Soul’s “3 Feet High and Rising” is another landmark that I listened to OVER AND OVER and that I appreciate even more as my musical tastes and experience have grown over the years. There are a few albums that I remember listening to a lot that I can’t really get through these days (Starship’s “Knee Deep In The Hoopla” is an EXCELLENT example – that thing is dreadful), but the adventure of listening to stuff that was sort of ubiquitous at one time in my life, long before my “musician ears” kicked in, allows me to appreciate them on a different level, which is mostly good.

In the age of Spotify, I’ve had a lot of fun creating playlists that include the radio songs of my childhood – some of which I hadn’t really heard since then. Stuff like “Heart Attack” by Olivia Newton-John. Or “You Should Hear How She Talks About You” by Melissa Manchester. “You Are” by Lionel Richie. “Self Control” by Laura Branigan. These are often “other hit” songs that people forgot that really have no home except on the weird “Jack” or “Bob” or other single-name, catch-all playlist radio stations, and even still, they don’t always show up there. There are a lot of songs that had similar chart positions to stuff that has endured like “Jessie’s Girl” or “867-5309/Jenny” but never really made it past 1984 in terms of being something people talk about or listen to. And a lot of them were pretty big hits! Sure, fans know the stuff, but in terms of the general population, most of it is lost to time. And I don’t know that it’s a good thing. But it doesn’t matter – because the journey to rediscovering stuff is a pleasure.

I’m generally not super open to a lot of current music, for a variety of reasons – many of them tied to the production styles (trap hats, autotune) and what I see as a general lack of excellence in writing and performing. The people who do impress me generally are special talents as singers or MCs, write their own stuff, and have a broader appreciation of music. Or sometimes it’s just an excellent song. But all of these feel rare to me right now, so it doesn’t encourage the searching. It is entirely possible that I’ll revisit this stuff in a few years and go, “damn, I like this – why did I think it sucked?” and that’s cool. That’s the beauty of having access to basically everything.

Think about stuff you liked as a kid – think about the last time you heard it. Maybe grab a few of those old albums that meant something to you that you stopped listening to for whatever reason, or stuff you hated and never really gave a chance, and and go back and give them a try. Hate them, love them, or “meh” them, it’s worth it for the nostalgia kick. I mean, even fucking Gerardo was fun to go back and check out for me. Color Me Badd, even. I still kind of hate them, but it was fun hearing them again, especially with my current ears.

Have a great rest of your week – go get your jab if you haven’t (it’s time – plenty of availability in most areas now), and take care of yourself.

Peace be the journey!
TMS

Sick. And more CATB and Adam S. Stuff.

Sick. And more CATB and Adam S. Stuff.

It’s weird to be sick. I haven’t been sick in a long time. But whatever’s going on with me right now is…well, it just sucks.

I assume it’s not COVID, being that I’m all vaccinated and stuff and I’ve been Mr. Careful. It’s like my body has a cold. I don’t have a runny nose or anything, but I’m just – weak and hurting.

I felt alright for band practice yesterday, which was SUPER FUN even though it was kind of hard work, and we’re super excited to play our first big show back on May 1st (assuming the rain that’s supposed to happen all week is gone by the weekend, like the forecasts are saying). So, YAY Chandler and The Bings!

I watched a great tribute to Adam Schlesinger that Rachel Bloom posted on her YouTube. Makes me want to go back and do a actually good recording of my tribute song to him.

If you have time to kill, check the tribute out and maybe it’ll help you understand why I loved this guy so much…

Back to the couch. Have a wonderful day. I’ll have a Museday Mumbling for you tomorrow, probably. As usual, I’m not even sure what the topic is going to be, but hopefully I’ll come up with something interesting.

Peace be the journey!
TMS

Quick Chandler and The Bings Update

Quick Chandler and The Bings Update

For anyone who follows my band or likes a group of people in their 30s and 40s turning boy band and pop tart songs from the late-90s into exciting, sing-along, fun live rock music shows, we have confirmed that we are back to performing. Shows begin on May 1st!

Literally, it’s gonna be MAY… (as the song sort of goes?)

First show back is at Bouldin Acres on South Lamar Boulevard in Austin on May 1st, then we have two shows in San Antonio – one at our favorite, Picks Bar, on May 8th, and then we’re at a new venue for us, The Amp Room, on May 15th.

Info for all this stuff is available on our Facebook page.

If you’re around and healthy, COME SING WITH US.

And thanks for being patient. We’re having a lot of fun getting ready and reconnecting, and our show is getting better and better, and will continue to improve as we refine everything.

It will make you want to dance and sing, and feel all the 90s warm and fuzzies.

Stuff like this…

See you out there – hopefully you’ve got your shot and are healthy and safe.

TMS