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Museday Mumblings (Vol. 64): When It All Goes Quiet…

Museday Mumblings (Vol. 64): When It All Goes Quiet…

So yeah, things are super weird right now. But in a healthy, good way.

After the frenzy of working on Yacht Z stuff, keeping up with Chandler and The Bings stuff, dealing with illness, travel, work that was all of a sudden SUPER FUCKING BUSY, getting my acoustic show back together, and life in general making me feel like I had no time for anything and it was just guiding me through it, I was completely overwhelmed and drained.

But now?

It’s really quiet.

Sure, work is still absurdly busy, with many evenings extending to 7pm or later. But because of making the painful decision to let go of Yacht Z, finally having the solo show reasonably ready, and the lull in activity with Chandler and The Bings due to half of us starting a new and amazing project with their past bandmate and one of our favorite sound engineers (who also happens to be a great guitarist), it’s pretty quiet right now.

I have time for my kids.

I have time for my wife.

There is “peace in the kingdom” for once. (Well, as much peace as a kingdom with a toddler can have…)

I am super excited because 360 UNO liked me enough to invite me back for TWO shows (that I have oh-so-cleverly booked around Chandler and The Bings, so there can’t be a conflict). So be on the lookout for those show announcements, and come check me out – the weather’s going to be even nicer, so it’ll be really fun to hang out on the patio with me and heckle me or whatever.

So that’s the current state of affairs for me musically.

A while back when I was up at 2 in the morning I bought Rick Beato’s Ear Training course, and it’s pretty amazing but I haven’t really had time to dig into it. So I’m going to continue working on that every day.

I found this amazing video by one of my favorite new discoveries where he shows you a daily independence exercise for your fingers on guitar, and I plan on learning that and working on it: Tomo Fujita’s Nightly Routine

I also want to work on this Paul Davids exercise that is an absolute finger crusher. Maybe this one, too.

I’m going to do them all both on bass and guitar because I’d like to be exemplary on both. But only if I end up having time. The ear training is more important to me than anything.

ALSO – I’m going to livestream my acoustic practices, so if you keep your eye on my YouTube channel, or perhaps even my Twitch channel, not that I ever really have used that yet. But my friend Mandy Prater’s doing great over there – check out her shows sometime!

Okay, that’s the musings for this week. Be safe, stay healthy, and remember to be kind to yourself and others.

Peace be the journey!
TMS

Museday Mumblings (Vol. 63): Life Choices and Balance

Museday Mumblings (Vol. 63): Life Choices and Balance

I mentioned a few months back how excited I was to be starting this new project called Yacht Z with my eager and wonderful friend and a real murderer’s row of talent to play the great Yacht Rock songs better than anyone out there. I worked really hard at first, making time as I could, then stuff happened during July and August that really slowed my progress, and I just never felt like I had enough time to get things together at the level that was expected. I even blogged about the lack of time. Well, it never got better, and I came to the realization that there was basically no room left in my life for me to be a properly-contributing member of the band.

It crushes me that I can’t do it, because I really love these musicians and want to play with them, but I have to respect my limited time with my family and my responsibilities. I really hope my departure doesn’t completely derail the project, because I still believe in the concept and will be their biggest fan. It just doesn’t fit with my life right now. Toddler + Day Job + Wanting A Happy Marriage are all more important. And I know I’m making the right choice. But I’m really sorry that we all devoted all that time and energy to the project and I had to bail on them. I hope it doesn’t go to waste and they find someone brilliant to replace me.

Striking a proper balance between work and family is hard for everyone. In the world we’ve entered because of the pandemic, a lot of us are working from home now, too, and man does that really blur the lines and make life all smeary. It’s too easy to start taking on work responsibilities during non-work hours. I like working from home, mostly, but I do find it really isolating and odd. I never considered myself to be particularly extroverted. I fake it well from growing up “the new kid” every two or so years from 5 to 18, and generally being a ham seeking others’ approval and trying to make them smile, but it’s very draining, actually, which definitely indicates I’m more introverted than extroverted. But I still feel like I need a little camaraderie.

Had a really fun show at Speakeasy with the Chandler and The Bings boys, and then Saturday evening, BRIAN V. RETURNED…to play to his daughter, his friend, and his other friend, and then a few people who showed up five minutes before the end of the show (so he extended it another half-hour – worth it for the amazing tips…).

It wasn’t particularly well-attended (UT football game was happening at the same time) but it was FUN and my voice held up super well. Here’s a little footage of that from my YouTube channel (GO SUBSCRIBE AND RING THAT BELL SO YOU’LL BE NOTIFIED WHEN I POST NEW VIDEOS)…

Brian V. at 360 UNO – A Couple of Songs for Erin

And speaking of the YouTubes, here are a few musical things I enjoyed this week on that wonderful platform:

Walter Ino’s YouTube Channel – based on the songs he covers on his channel, I feel like we have quite a lot in common musically. AND I didn’t even realize it until I saw a couple of familiar faces in his videos, but he’s in a band with an old internet pal of mine, August Zadra, called Waiting For Monday – they released their debut in 2019 and it’s like arena rock for a new age. If you like the Journey-Boston-Foreigner-Styx era of radio rock, you’ll almost certainly love that band.

Phil X visiting Rick Beato (with Rhett Shull hanging out as well) – just a silly but kind of informative video of Phil showing some crazy Bouzouki licks he’s adapted to guitar, and some other neat stuff. It’s fun watching Rick and Rhett react to Phil’s shredding.

METAL – speaks for itself. (HAHAHA)

Thanks for reading and take care of yourselves and the people around you. It’s been a haul and we all deserve some kindness. Sorry again to Heath, David, Chris, and Matt – I hope it works out where we get to play together at some point when I have proper time to devote to it.

Love y’all…

Peace be the journey!
TMS

Museday Mumblings (Vol. 62): OUCH

Museday Mumblings (Vol. 62): OUCH

I’m turning 48 this Thursday.

I feel EVERY SINGLE second, minute, hour, day, month, and year of this age. Often, I actually feel older.

The majority of the reason for this is purely my fault. I don’t take care of my physical health. It’s something I’ve struggled with my entire adult life, because I really don’t get the same “kick” from exercise that most people do. It doesn’t make me happy to work hard physically – it just makes me want to lay down. Even in my most “exercisey” periods of my life (shut up – I’m going to use “exercisey” if I want to – I know it’s not really a word), I got smaller and more fit, but it never really made me feel any better than sitting on the couch (and before you suggest it, I REALLY don’t like people trying to motivate me, so having a trainer isn’t likely to help me over that hump to the “I LOVE TO EXERCISE” feeling that so many get). So I’ve just gotten fat and old. Of course, I hide it fairly well, since I’m of above-average height and my limbs are slim and athletic, but I’m a solid 65 pounds overweight based on my height. Even factoring in the fact that my family tends to run a little heavier than most people anyway (we measure a good 10-15% heavier than people who look exactly our same size – and it’s true of my dad and all my brothers, too), I’m still a solid 45-50 pounds overweight. The stress this is putting on my body is really becoming apparent. I hurt. Often…OUCH.

So that’s a long paragraph about my fatness. Why is that popping up here on this blog? Well…because I just spent the last 90 minutes singing and playing guitar standing on the comfortable carpet in my office, and my back and legs are killing me. I’m actually considering sitting down to play Saturday’s acoustic gig – which is something I just DON’T DO. And of course, I won’t sit at the show unless I must (I had an unfortunate gig back in 2015 or so that necessitated a “lean on a stool” performance because of a tweaked back, and that’s the only sit-down gig I’ve done since the “Brian V.” era started). So…OUCH.

Worse, my voice started shitting out on me about 20 songs in – you could hear it getting tired and raspy. Not good. Also…OUCH.

And I was having trouble matching pitches I played on my guitar while doing the “sing the guitar melodies you’re playing” thing I like to do to help keep my voice and hands in sync. With my voice, I was physically doing what would normally feel “right” for those notes, and I was just missing them. Sometimes a complete half-step off. It was very disconcerting. It’s been kind of an ongoing thing for me, though. So that’s more of a brain or spirit “OUCH”, but still…OUCH.

Well, I’ve got a physical on the 29th where I’ll address all this stuff with my doctor and maybe get another referral to an ENT who has specific skills related to those of us who depend on our voices for a living (my day job depends heavily on my voice being healthy, too).

Not trying to be a bummer or crap on myself or anything, just musing honestly about my health and how it relates to my music. I’m going to get better. I think. Because honestly, I don’t know how much more I can take of always being so wrecked when I play music. There will come a time when it won’t be worth it. But wouldn’t it be better to just lose some weight and give my joints a break? Then we can stop dealing with the OUCH.

Peace be the journey and take care of yourselves better than I take care of myself.

And please come hang out with me Friday the 17th with Chandler and The Bings at Speakeasy in Austin OR Saturday the 18th at 360 UNO up in Westlake for my solo gig.

TMS

Museday Mumblings (Vol. 57): A Gaggle of Geeks

Museday Mumblings (Vol. 57): A Gaggle of Geeks

So the band I mentioned in the previous post – this casual project by my “eager and wonderful friend” is REALLY SOMETHING. I mean, we’re doing a specific kind of music (Yacht Rock, with some “friendly to the smooth vibes” songs thrown in), but it’s the very first time I’ve ever been in a band where the entire band geeked out about tiny little details during rehearsal, trying to get them right, and not one person in the band sat back and checked their phones or tuned out. Everyone participated in trying to figure it out. It was WEIRD. But kind of weird good, you know?

Now, I’m not in any way saying that it’s wrong when tune-outs happen in other bands – for sure instrumentalists dialing down on some subtle nuance when rehearsal time is at a premium is annoying and possibly kind of boring to everyone else not involved in working out the part. I totally understand that and have, on occasion, been “that guy” (though honestly not that often). But that didn’t happen a single time at this rehearsal. We’re all music geeks…and all excited about getting the parts just right.

To be CRYSTAL CLEAR: This new band isn’t planning on taking up massive amounts of anyone involved’s time, as we all have tons of other stuff to do musically. We’ve got five songs in process, and are working on the next ten for a rehearsal set for August. This is a SLOW process, but it’s definitely worthwhile. The best we’re hoping for is playing on a semi-regular basis and bringing the smoothness where no other band in Austin really does.

Rehearsal went better than it had any right to. We all complement each other very well. There’s not really a clashing of styles or attitudes so far, and some stuff came together so easy it was surprising. Of course, there were plenty of things that were disastrous, but it was the first time I’d ever played with any of them, save the one or two shows I played with David. Playing guitar again was a thrill. You never really know how much you miss something until you get to experience it again. It happened at Speakeasy when that crowd started singing with us. I almost started crying. Woodshedding guitar parts is really challenging, but it’s the kind of challenge I think I need to keep my mojo as a guitarist. Working on tight multi-part vocal harmonies is also insane and amazing, since I’ve never really done that to any large extent in any band I’ve played in. And Yacht Rock and the 70s stuff we’re tackling has SO MANY VOCALS. It’s great – I love the music, the song I can’t stand is growing on me pretty well now (this seems to be a trend the past few months) and I appreciate the opportunity and the challenges ahead.

My musical life is an embarrassment of riches. I adore my brothers Patrick, Alon, and Jay in Chandler and The Bings, and we’re working to make that experience even more awesome for people. And I feel like I’m set to make my relationships with my buddies Heath and David even closer and better, and forge new friendships with Chris and Matt as we take our “Gaggle of Geeks” to new levels of Yachty smoothness with Yacht Z.

My music meter is very full and happy right now, and I’m so excited for the next Chandler and The Bings show at Picks Bar in San Antonio on July 10th. I absolutely love that place.

I hope you’re all doing well. If you’re into the prayer thing, please send some out for my dear Aunt Eileen – she’s fighting cancer right now and could use all the universal help she can get.

Peace be the journey!
TMS

Museday Mumblings (Vol. 51): Back On Stage

Museday Mumblings (Vol. 51): Back On Stage

So Saturday night marked the band’s first “official” show back. We played at our favorite bar in San Antonio (Picks Bar), and it was a pretty good show all things considered. I did a multitrack recording of the show with my laptop. And there are things about it I absolutely love – Jay and I are LOCKED most of the show, which is pretty surprising considering how little we’ve actually played together this past year. My vocals are spotty, as always, with my lead vocals almost always being 100% better than my backing vocals. I can’t fully figure out why I keep mucking them up – I did notice that when I really went for it on the backing vocals, I was more consistent, so there’s definitely a lesson there. I know that part of my vocal issues were caused by the nagging cold I’ve been fighting for weeks, so it was almost impossible to rely on muscle memory. Hopefully this Saturday’s show will go better in that department. But enough of the Monday Morning Quarterbacking…let’s get weird.

Like, it’s super weird to be out again. It’s super weird to return to a place we played TONS of times and it’s completely different (they started a remodel literally the day after our last gig there in 2020). It’s super weird to be around other vaccinated people and to feel “normal” enough to shake hands or give a hug. It’s good, but WEIRD. I’m looking forward to giving my mom a hug when she comes to visit in June. That won’t be weird – it’ll be lovely.

Back to the experience of getting back out there – another part that you forget when you haven’t played in a while is the physicality of the entire show experience – loading the gear into the van, loading the gear into the venue, getting everything set up, then the performance – every limb involved, singing, then once the show is done, unloading the stuff from the venue into the van and then driving home and unloading there. It’s all so incredibly draining. And that’s before you consider the mental toll of trying to remember everything so you can actually give a decent performance. I think all four of us were sort of wrecked for a few days recovering.

I’m happy we played, the crowd was nice (though different than before the pandemic), and we had a lot of fun. Tons of smiles on stage – fans even mentioned how much we were smiling. Little did they know half of those smiles were us laughing at mistakes.

Doing it again in San Antonio this weekend at The Amp Room. It should be weird and exciting – new venue, unfamiliar audience that’s younger and perhaps more rock-friendly…I’m pumped. But also thinking about how tired I’m going to be.

But I’m so grateful that we get to do it again. Seeing those smiling faces and watching them sing along is the ultimate analgesic.

Thanks for reading and peace be the journey!
TMS

P.S. If you’re not vaccinated, what the hell are you waiting for? GO GET THAT JAB, YO!

Sick. And more CATB and Adam S. Stuff.

Sick. And more CATB and Adam S. Stuff.

It’s weird to be sick. I haven’t been sick in a long time. But whatever’s going on with me right now is…well, it just sucks.

I assume it’s not COVID, being that I’m all vaccinated and stuff and I’ve been Mr. Careful. It’s like my body has a cold. I don’t have a runny nose or anything, but I’m just – weak and hurting.

I felt alright for band practice yesterday, which was SUPER FUN even though it was kind of hard work, and we’re super excited to play our first big show back on May 1st (assuming the rain that’s supposed to happen all week is gone by the weekend, like the forecasts are saying). So, YAY Chandler and The Bings!

I watched a great tribute to Adam Schlesinger that Rachel Bloom posted on her YouTube. Makes me want to go back and do a actually good recording of my tribute song to him.

If you have time to kill, check the tribute out and maybe it’ll help you understand why I loved this guy so much…

Back to the couch. Have a wonderful day. I’ll have a Museday Mumbling for you tomorrow, probably. As usual, I’m not even sure what the topic is going to be, but hopefully I’ll come up with something interesting.

Peace be the journey!
TMS

Quick Chandler and The Bings Update

Quick Chandler and The Bings Update

For anyone who follows my band or likes a group of people in their 30s and 40s turning boy band and pop tart songs from the late-90s into exciting, sing-along, fun live rock music shows, we have confirmed that we are back to performing. Shows begin on May 1st!

Literally, it’s gonna be MAY… (as the song sort of goes?)

First show back is at Bouldin Acres on South Lamar Boulevard in Austin on May 1st, then we have two shows in San Antonio – one at our favorite, Picks Bar, on May 8th, and then we’re at a new venue for us, The Amp Room, on May 15th.

Info for all this stuff is available on our Facebook page.

If you’re around and healthy, COME SING WITH US.

And thanks for being patient. We’re having a lot of fun getting ready and reconnecting, and our show is getting better and better, and will continue to improve as we refine everything.

It will make you want to dance and sing, and feel all the 90s warm and fuzzies.

Stuff like this…

See you out there – hopefully you’ve got your shot and are healthy and safe.

TMS

Museday Mumblings (Vol. 45): Camaraderie

Museday Mumblings (Vol. 45): Camaraderie

One of my favorite things about being a musician is “the hang”.

A good hang can determine whether you play with someone even more than their level of ability sometimes. Seems kind of silly, but it’s true. Any time I’ve been in a band situation where the hang was awkward or just wrong is more jarring than someone always coming in on the 5 or something. I’ve actually not joined bands specifically because the energy of spending time with people was just wrong. And I’ve quit them when every gig has either been isolating or just uncomfortable.

All my best band experiences come from the majority of band members being a good hang. Roman Holiday – in the majority of its configurations – was a wonderful experience, and that was partially because most of the incarnations, and basically ALL of the trio versions of the band were true fun. Yeah, we were there to work and put on a great show, but load-in, set-up, tear-down, and load-out were always quality times. Endless jokes. And different ones depending on the lineup. It was always Ned and me, and in the trios, we always had drummers who were great people to spend time with – even when musically things were iffy. Sure, everyone had their bad days or whatever, and some people bitched more than others, but in general, it was a team – beyond that – a crew, a family. And I think we always were happy when we were together, even if we sometimes had issues when we weren’t. Chandler and The Bings has become one of the best hangs ever. Every single member of this band is what most musicians would call “a good hang” – we’re generally not pretentious or precious, we love to laugh, no one has any real hangups or any relationship drama, and we’re all pretty willing to try just about anything when it comes to the music.

That willingness to consider others’ ideas, feelings, whatever, is fundamental to being a good hang, and for creating one in your ensemble. Knowing you have each others’ back allows for a healthy discussion and level of criticism between the players, and ensures that you can all make the music and the show better and still have a lot of fun in the process.

My first band (Magic Garden) was pretty much the polar opposite of a good hang. In fact, the attitudes of the other people in the band are what made me leave – I actually was really enjoying playing the music and learning how to be a proper bassist in an ensemble (up to that point I’d only ever played guitar with other people – I actually paid my little brother half my take from every gig to borrow his bass and amp). Basically, this was the configuration: One dude had a massive ego. One dude was older and thought he knew absolutely everything. The other guy was nice but liked drugs (pot, mushrooms, LSD) a whole lot, so he was…inconsistent. I was completely new to playing bass – greener than Ireland. There were always random strangers there hanging around with the druggie guy, which made me uncomfortable, because I was pretty new to being in a band.

Basically all through the 90s I was mostly a good hang, except when my Musical Assholeâ„¢ came out. I’ve covered that part many times on this blog, and my growth over the years. It’s not much a part of who or how I am as a bandmate these days, but it definitely tainted a lot of otherwise excellent situations, and I’m ashamed of it. So, yeah…enough of that.

So my advice to anyone who wants to play a lot as a musician – be a PERSON. Be kind to your bandmates. Don’t expect everyone to want what you want. Be a good laugh. Make it light and make it fun…but not so much that you’re not matching the level of seriousness for the situation, because that can make you an obstacle as well. It’s a balance, and the best musicians you can play with strike that balance in most situations.

Thanks to all the “good hangs” I’ve played with over the years. And also thanks to the ones who sucked at it, because you taught me to be a better hang by showing me how I never wanted to be.

Sorry for the late one. Another one’s coming in a few days. Since last week was zero Musedays, this week will be two! YEE HAW.

Thanks for reading.

Get a jab, call your mom. If you’re fully vaccinated and they are, too, go SEE your Mom and Dad and give them a hug. I guess unless they’re miserable assholes, then you don’t have to do that, although it probably couldn’t hurt. We need more hugs in this world. It’s been too fucking long.

Love you – see you soon out slappin’ da bass…
TMS

Museday Mumblings (Vol. 26): Timing and Motivation

Museday Mumblings (Vol. 26): Timing and Motivation

Bands are tough.

I’ve been in a ton of bands over the years, and none of them have been perfect. My current band is about as close as I’ve gotten.

There are varying measures of success when it comes to a band experience. Musical, performance, monetary, vibe, energy, following, critical appreciation, fame. Most people I know that play music are hobbyists with day jobs. I think many are people who “lived the dream” at least for a while, and then it became more important to be comfortable or to be there for the people who needed them than to continue chasing whatever musical dream they had.

I was never one of the people who could be comfortable “chasing the dream”. This is my fundamental obstacle to ever feeling like a “real artist”. I really did try to write good music and songs for a while, but it just got easier to be dad and play covers. That didn’t mean that I didn’t have expectations for the bands I played in.

Ignoring my occasional appearances at local bars in college, the first sort of “pro” band I played in was in Jacksonville in 1998 or so. A guy I knew from my day job at Convergys (yes, call center Hell…but it was steady and I needed steady at the time) had a band with a guy he knew that played guitar, and an assortment of other musicians, including a good keyboardist who was a doctor or something (I’m not sure I remember at this point), a tenor saxophonist, and some other assorted people. The idea with that band was to be a true party band, playing dance and funk songs, along with some poppy classic rock selections.

I had been playing bass sort of on the side of my guitar playing since about 1991-1992, really in earnest from about 1996 on, when I acquired my own bass (I call him “Juan Solo” because he is a black-and-white Mexican-made Fender Jazz Bass that sort of looks like Han Solo’s shirt/vest combo). I didn’t even own a proper bass amp. I used my Peavey PA system as my bass amp to be loud enough. It sounded pretty bad. I didn’t understand how to properly use the technology, and I really didn’t have the extra cash to spend on an amp at that point. The one gig I did play with that band, I borrowed my brother’s Fender M-80 combo, which was fine. But I was a mess as a member of that band. I didn’t really understand how to learn songs on the bass all that well, I couldn’t really read charts (though some were provided to me), and I was still sort of a hack bassist (though I definitely thought I was much better than I actually was – thanks, Dunning-Kruger effect). I did have a solid knowledge of what would work and what wouldn’t, though – I’ve always had good instincts about that. The whole process was kind of terrible, even though ultimately the people were quite nice. They were just very certain they knew things and I could clearly see, even at my intermediate beginner level at that point, that they didn’t have a clue what they didn’t understand about making a band work. At the time, I couldn’t bear to suffer fools or foolishness when it came to music, so I was vocal and probably made things less fun for a lot of people. I quit the band shortly after the first gig I played. I think at the time I just wanted to learn how to be a good, grooving bassist, and I figured the band would be a good way to learn. But I wasn’t ready, they were the wrong people, the material was kind of all over the place and wrong, and the opportunity just didn’t really present itself. So I left. The timing was wrong. Our motivations didn’t match.

Cut to the following year.

A co-worker of mine says he and his buddy want to start a band and they need a bassist and drummer. I didn’t know a drummer, but I was definitely into the concept of playing some bass. So they found a drummer through the Folio Weekly classifieds, we met at a bar, and we all got along so well that before even playing a note we decided we were a band. Thankfully, playing together we had immediate chemistry, so all was well. We picked songs and worked on repertoire from April through July, and all was going well until the singer (my friend from work) had to quit. His day job had gotten too busy and he wasn’t going to be available for gigs. So we found another singer, and thankfully once he knocked off some rust we were ready to go. We named the band, and started to play some shows. It was musically very fun because the drummer and were a machine – I learned so much playing with him. Plus we were playing a lot of songs that people liked that also happened to be songs I really wanted to play. I got to sing a few songs, and sing harmonies on a lot of other ones. We were truly all on the same page and moving it forward. And it was FUN. We’d have our ups and downs, and the singer would eventually leave because of some personal stuff and we’d get a new one who’s still one of my best friends. But it could have been better if everyone had been on the same page at the same time. That was always an issue with that band. Sadly it would end without my consent, though, and though that group definitely had its issues, we’d all do a reunion in 2015 and have a great time together one last time (as Trumpitis has apparently infected the brain and heart of one of the members and he doesn’t want to associate with me anymore because he doesn’t like my sassy liberal opinions).

About a month before that band was “taken” from me, I had auditioned for another band when their main vocalist/guitarist left, and it came down to me and one other guy, and though musically my rehearsal was awesome, great chemistry, they were worried about my involvement in that other band and how much time I’d have, and didn’t really believe in me image-wise compared to the other guy, so they went with him. Five months later half the band decided to leave. I’m not saying the two are related, but I think if they’d been satisfied musically and fed off my live performance energy, it might have been a different situation. The weirdest part, to me, was that when the guys were quitting (bass player and lead guitarist – the ones I auditioned with), I filled in on bass for them for a couple of shows before joining the band as a guitarist after that. So January wasn’t the time, but May was. Timing.

I have to be honest, it wasn’t the way I wanted things to be. The departing guitarist and bassist were two of my favorite local musicians. Sadly it was always a little tough finding ways to get along and properly communicate with the guy they picked in January as we shared guitar and vocal duties, and I know I made the experience suck a little for my dear friend (the drummer and bandleader), and I’ve apologized to him for it. Eventually that guy bailed on us and we had to find a replacement, and right as we figured out the new lineup, I moved to Austin. Timing. (Boo.)

During this period, I also hand-picked a band with my favorite local guys – the drummer who also had the band stolen away from him, and the bassist who had just left the last band I talked about. We found a very talented keyboardist and decided to hit a jam night. It was so much fun, we decided to try and turn it into a band. Instead of having a singular purpose or a set sound, we decided to try and be a “kitchen sink” sort of thing, and play as many different kinds of songs as we could find – stuff no other bands were really playing, but were familiar and popular. We picked individual wishlists of songs, and then tried to be democratic about it, and when it didn’t seem to be going the way of the bassist’s selections, he decided he wasn’t all that into it anymore and left. It broke my heart. I didn’t handle it very well, because I thought his ideas were rightfully being downplayed, as those choices didn’t really fit our abilities and were very medium-to-low energy and not friendly to bar crowds (our goal). We puttered along, got a new (and inferior) bassist, and we all kind of stopped giving a shit, so it just died. The motivation was gone.

When I moved to Austin the following year, I struggled to find people to play with because I simply didn’t know how to go about meeting other musicians in a way that would make them want to play with me. There weren’t really jam nights like the ones that are all over the place in Austin now. So I took to the internet! And in about a month, I found a band that seemed interesting, so I met the guitarist, saw a show, saw how terrible their bassist was they were trying to replace, and had one rehearsal with the band, and apparently made a bad impression – the rest of the band were NOT on board, though the guitarist and I clicked (and are still great friends). So I met some other people who were also interested in replacing their bassist, played with them a few times, but decided that the drive to practice was too far (about an hour each way without traffic) and the karma of getting someone kicked out of the band was too much for me. I did meet one of my favorite people in this band, so that was nice. I stayed friendly with them, though, and would support them at shows.

I finally found a band to join, and it just didn’t really work for me. The vibe was weird at first, because the drummer they had kind of sucked, which frustrated the guitarist to the point of rage at times, and the musical repertoire just wasn’t really up my alley, though it was a refreshing change, at least for a little while, and especially once they lured their drummer back with my presence. And of course, he comes back, and I ended up quitting (we’re still buds to this day, actually…more on him later). My motivation was gone.

I felt really bad to bail, but I really just wasn’t loving the situation in any way – we played in smoky, sort of trashy bars, with low pay that kept it from really being worth the time invested – so when the first (and far inferior, musically) Austin band came back to me to fill in for some shows, and we had more rehearsals and the two who didn’t like me finally “got it”, I was on to the next thing. In June it wasn’t right, but in September, it was good. Timing.

When the drummer quit that band, I had my buddy from the other band (the one who had come back because I was in the band) fill in for the new band. It went pretty well, we had a great hang after, but ultimately we found a different person to play with us more suited to our modern rock-pop-punk sort of style. As that style evolved over the years, we had many drummer changes, and it eventually became a trio, and finally my buddy came in and killed it. We finally were playing together and the band was doing well. At least for a while. Then the crowds sort of thinned, the motivation started to fade, and ultimately, we let the band go. But those guys are still my best friends here in town. I love them and miss them and will give them manly hugs next time I see them when it’s safe.

I have so many more timing and motivation stories, but I think I’ve made my point.

Bands are tough.

Sometimes the timing is right, sometimes not. Sometimes the motivation is there, sometimes it isn’t. Sometimes you luck out and everyone’s available and on the same page and you have a unified mission. That’s been the story for my current band for pretty much the entire time leading up to the pandemic. And thankfully, it seems like we’re all getting back on the same page again, but without an idea of when gigs are coming, it’s hard to maintain momentum and hard to keep that motivation. We did our awesome cover, we’ve done a few little livestream things (and a livestream concert that was less than awesome), and we’ve done a lot of talking without doing a lot of actual things for the past few months. I don’t believe anyone wants it to slip away, but that’s always a danger when you don’t keep at it, so we did a rehearsal the other night, and basically wrote our version of a new song to add, and brought back a classic and one we’d only really done in practice. We’re on our way, once again.

If only we can get this country to stay home if they can (or at the very least physically distance with masks) and stop going around infecting each other and putting people in the hospital, we can get back to adoring crowds singing their lungs out with us at our favorite venues.

But sadly, now is not the time…

(see what I did there?)

Black lives matter. Trump lost. Wear a mask. Wash your hands. Physically distance. Respect facts. Respect expertise. Realize you don’t actually know shit. Be humble, avoid hubris. And love people, for fuck’s sake, instead of always looking for things to hate.

Also: Call your mom and dad and family and friends and do video chats and tell them you love them. They need you, and you need them more than you know.

That’s enough for now. Thank you for your time, and peace be the journey!

TMS

Museday Mumblings (Vol. 25): Took a break…

Museday Mumblings (Vol. 25): Took a break…

I’d like to say it was on purpose, like I felt like there was some more important stuff happening last Tuesday, but the reality is, I simply forgot. I have a civic mind and I was really focused on the election and just wasn’t thinking of things that I wanted to do. Thankfully it’s looking like sanity barely beat fear, so maybe we’ll get a better world. It’d be nice if the 70 million people who thought he was still a better idea would come live in reality where the facts reside and see him for the turdbag conman bigot that he is, but it’s hard to deprogram people from cults. Lost a few friends on Facebook because of an incendiary post, basically saying that they should feel shame about it and supporting him was a “stain on their soul”. Hey, I’m dramatic sometimes. I really didn’t mean it to hurt people’s feelings, though. I just honestly think that you should feel deep shame about a vote for that person, because it shows one of three big flaws about you: 1. You don’t do your due diligence. 2. You are hateful/bigoted or dogmatic in some way. 3. You care more about your party than your country so you only believe what your preferred ideologues say instead of dispassionately accepting the facts. Just my position. Doesn’t detract from my love for anyone who has those flaws, except for the hateful/bigoted part – they can fuck right off forever, as far as I’m concerned – this world doesn’t need them anymore unless they change their hearts.

But enough political garbage. Let’s talk music.

Like how 2020 is shaping up to being worse than 2016 in terms of losing iconic musicians. It already took three of my all-time favorite “beacons of musical light” in Neil Peart, Adam Schlesinger, and Edward Van Halen. And another personal favorite Emitt Rhodes. But adding to the list some truly great artists: Little Richard, Kenny Rogers, Charlie Daniels, Jerry Jeff Walker, Justin Townes Earle, Joe Diffie, Helen Reddy, Mac Davis, Bill Withers, Toots Hibbert, Ronald Bell (Kool & The Gang), Spencer Davis, Tony Lewis (The Outfield), influential guitarist Peter Green, bassist Pete Way, drummers Frankie Banali and Lee Kerslake, and so many more. And producers, too – Keith Olsen, Rupert Hine, Martin Birch…I mean, on top of all this loss, it was a BRUTAL year for music in general. Releases pushed back, tours cancelled, production companies and crew all losing their entire livelihoods. It’s been financially terrible, even for me, and I’m one of the lucky ones who doesn’t subsist on it.

We’ve all found our own ways to scratch the creative itches this year, and I find it kind of sad that my band has only managed one release, though I’m still proud of it. Check it out if you haven’t. I’ve only managed to write one song, which is an improvement over past years, but it only exists because I lost someone important to me. And it’s only okay, to me. Better than nothing.

I think I’ve talked before about how much fun I’ve been having just jamming out on guitar and bass, trying to noodle on old stuff and keep up my chops while we’re not playing. But I’ve even kind of grown tired of that. I meant to do that tonight and instead I spent a few hours playing old recordings of my previous bands and looking at old pictures with my daughter. Which was lovely, but not really productive. AND…

Tonight has been a total abandonment of my commitment to being a little more respectful of my body. I mean, I’d set a bedtime for myself of no later than 10pm, and it’s now 12:53am as I type this. Big fail. But I’m not going to beat myself up or anything. I’m just going to do better tomorrow.

I hope we all have a lovely week, and I hope everyone stays healthy and safe. Coronavirus is NOT done with us, and we need to be more vigilant again. Cases, hospitalizations, and deaths are all on the rise, and our current leadership is doing NOTHING to help us. They’re too busy lying to the American people about the results of an election they lost, and stoking their scared, real-information-starved followers’ fear, which could lead to actual violence and discord. All because they can’t be statesmen and don’t honestly care about people at all. They just need them as tools for their political success. But we’re not going down that road. This isn’t the place or the time.

Take care, wear your mask, wash your hands, be good to people, show love even to the angry 70 million people who voted for the orange conman, and do your best to acknowledge your privilege, whatever it may be. Black lives matter.

Peace be the journey!

TMS